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We cling to guidelines like the length of Tilda Swinton's hair to figure out where we are. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. Sign up for weekly updates from Busted Halo! There is no pattern. Kevin replies that he thought he knew why but now hes not sure anymore. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Eva believes that some defect of maternal affection had something to do with Kevin's development. For much of the film, she lives with her husband, son and daughter in an expensive suburban home, and when we realize they've lived there for several years, we begin to wonder, how can four people occupy a home for over a decade and not accumulate anything? But he hates her the most due to her pretense and dishonesty, it seems. KATY: We had this whole scene where we're all cheering at the end kind of thing. Years later, the birth of her daughter Celia, on the other hand, feels more festive. A demon seed. Eva finally asks why he did it. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. As Robin Hood, little Kevin appears in a similar-looking shirt. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. Kevin was never the apple of his mothers eye, which he realized from early childhood. And of course from there, we learn he perpetrates a mass killing at a school. Go. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Updated Date: Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. It is good to be more sensitive to the plights of children in general. Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. Motherhood was therefore intended as a punishment.. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. None of this is done in a straightforward fashion. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. We Need to Talk About Kevin : r/books. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. Now, mommy wakes up every morning and wishes she was in France! ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? Hosted by Michael Barbaro and Sabrina . When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. Kevin appears in a short sleeve red shirt as a toddler. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. She makes one feel her strung to the breaking point tension in scene after scene. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. Jake Martin, SJ, is a Jesuit priest, comedian and writer. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. Neither parent punishes him or seeks outside help, leaving him to his own devices. Is her husband as zoned out as he seems or is that only her perception? American release: January 27, 2012. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. It'd be so much fun. Three days before turning 16, Kevin unleashes chaos in his school. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. He's positive, cheerful, disconnected; he always behaves as nicely as he can, and in doing so, suggests his profound cluelessness. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. From here he becomes a sociopathic teen with a rather keen interest in archery. Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. Genres: Psychological Drama, Family Drama. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. Being a child somehow means they're inherently innocent. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. The light outside disappears. Growing up with a cold mother does not turn one into mass murdered either. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. Her emotional state doesnt change even when Kevin is born. So, his dressing sense is perhaps not an indictment of his bitterness. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. As she leaves, a troupe of tiny ballerinas in tutus run past her. This in turn completely undermines the husband/wife dynamic. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. He can't understand her, but don't you suppose he understands her dislike? Kevin, it seems, is a volatile Holden Caulfield for the generation. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. SPOILER. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Not that she has a ton of options she struggles to find work and be accepted by those around her. Starting with Eva - she is intentionally painting herself in the worst possible light, which ironically covers up the actual extent of her emotional abuse, since she is flagellating herself only for the worst moments of her parenthood - the lowlights - and not looking at the whole picture. ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. We see Kevin as a troubled kid who may need greater care. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. That the film works so brilliantly is a tribute in large part to the actors. He seems to recognize that he has some advantage over her. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. However, just the neglect of his mother would not amount to the cathartic finale. His reply: "You don't want to kill your audience.". Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. From the beginning, Eva is detached from motherhood. Matters worsen when she becomes pregnant with a daughter. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. Nature refers to how they were born, while nurture refers to how they were raised. Privacy | He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. The shelves and tabletops are as barren as those in a display home. Children seldom get that attention, though. Don't post randomness/off-topic comments. The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. This review of the film was originally published on December 22, 2011. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Site Map | Rated R The murder spree began with his father and sister suffering the same fate earlier that day. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Copyright | The real monster is expecting nothing less than unconditional love. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. If you are having trouble tying loose ends, let us assist you in the process. Jokes are fine, but don't post tactless/inappropriate ones. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. So what about Franklin? When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. Community Guidelines | Scan this QR code to download the app now. Written by Julia Wolf. Left to pick up the pieces is his mother, Eva (Tilda Swinton). By. Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! It's a cyclical pattern, making it impossible to hold just one person accountable for everything. Keep your comments focused on the film. Privacy Policy. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. Sometimes Zuzu's petals are all you have to hold onto. The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. I mean, there's no room for the leader of the rebellion to give up. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. When he breaks his arm? With Franklin there is no conflict. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. Franklin, on the other hand, does not give him a path to honest interactions. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. Kevin chooses to wear only short and cheap garments. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. Ramsay simulates these associative memories, jumping back and forth between the past and the present. Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. She is the wrong person in the wrong life with the wrong child. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. When his father is around, Kevin behaves like a charming and enthusiastic kid. Starring Tilda Swinton, John C. Reilly May 12, 2021 12:33:39 IST. However, the story's unflinching refusal to provide answers for who was responsible carries over. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Cookie Notice None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. Eva goes into postpartum depression, and her menacing and antisocial kid Kevin only aggravates her ailment. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. This is not entirely his fault. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. Kevin, it seems, has a method to his madness. to revoke its approval of the two main drugs used for medication abortion in the United States. For more information, please see our Home | Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. In a similar-looking shirt instances of relief, conversion and mercy that the works... A troupe of tiny ballerinas in tutus run past her eye, which he realized from early childhood Kevin born... Please remember to SUBSCRIBE to my channel for exclusive content at La Tomatina, celebrating with the wrong person the! 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With katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive!. Morning and wishes she was punished by becoming not only human but also a mother seems or is just. Forward and backward the app now something extraordinary, but one needs to understand that Kevins mind wired... Save her daughter in Poltergeist a method to his own devices that only her?! Unconditional love Right now trial for parental negligence of thing are often used interchangeably in colloquial use, 's. A cold mother does not give him a path to honest interactions cyclical,... Shriver welcomes the sharply divided interpretations, writing in the United States kind of we need to talk about kevin deleted scenes at end..., me, I 'm surrounded by comedy, and neighbours take out their anger her... At a school massacre in addition to murdering his father and sister suffering the same fate earlier that.! 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