Student Worksheets one copy per student. One thing the film used was Mise en scene. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. 0000003092 00000 n Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. It is essential that teachers watch The Final Quarter documentary in full before showing it to students. As Darling astutely realised, the footage says it all. %PDF-1.4 % The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. Looks at score and song writing, including analysing lyrics and musical elements. [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. [23], The Final Quarter was shown to the 2019 playing group of Indigenous players in a preview screening in February 2019. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. 2022 Shark Island Institute | PrivacyPolicy. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. 0000010553 00000 n They specialise in creating documentaries that educate the public about important social issues. Every film uses different techniques to create meaning throughout the film. identify different documentary making techniques. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Explores what it means to be Australian, and how we express our individual and collective identities. consider the various ways mood and meaning are created in archival documentaries. 0000067911 00000 n We'll update you with a release date when one is announced. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. Synopsis 0000003887 00000 n Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. [33][34], The Western Bulldogs released their own statement about the documentary. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. 0000011178 00000 n 0000009450 00000 n Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. in The Final Quarter. They specialise in creating documentaries that educate the public about important social issues. Let us know what you like or don't like about this activity: Sorry. 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We are unified on this, and never want to see the mistakes of the past repeated. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. We strongly recommend each unit is delivered in the recommended sequence to achieve maximum impact and understanding of the concepts. Save and share your favourite picks and make plans to go out with friends. 0000004654 00000 n Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. We appreciate your feedback. Investigates the archival documentary technique used in. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". hbbf`b``3 j endstream endobj 300 0 obj <>/Metadata 23 0 R/Pages 22 0 R/StructTreeRoot 25 0 R/Type/Catalog/ViewerPreferences<>>> endobj 301 0 obj >/PageWidthList<0 595.276>>>>>>/Resources<>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/XObject<>>>/Rotate 0/StructParents 0/TrimBox[0.0 0.0 595.276 841.89]/Type/Page>> endobj 302 0 obj <> endobj 303 0 obj <> endobj 304 0 obj <> endobj 305 0 obj [341 0 R] endobj 306 0 obj [/Indexed/DeviceRGB 110 335 0 R] endobj 307 0 obj [/Indexed/DeviceRGB 44 334 0 R] endobj 308 0 obj <>stream We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. On this Wikipedia the language links are at the top of the page across from the article title. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. 0000019988 00000 n The Final Quarter: Directed by Ian Darling. Director's Statement. 0000013810 00000 n Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. Director Ian Darling joins us to discuss the importance of telling the story and what we can all learn from it. How do you think this film is relevant for Australia today? The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. The game did not do enough to stand with him, and call it out. The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. We highly recommend that students view the film in its entirety before participating in subsequent lessons. The Hollywood Reporter is a part of Penske Media Corporation. Registration is fast and free. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. 'The Final Quarter': Film Review. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. 299 0 obj <> endobj xref The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. 0000001644 00000 n The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. But he also created a narrative, if not a reason for being, far more important than any act of sporting prowess. 0000007162 00000 n Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. 0000062114 00000 n It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. And by dark ages I mean the last three years in Goodess decorated career, until his retirement in 2015. (2019). Learn more about the film here. [35] The Hawthorn players all wore number 37, Goodes' jersey number, during their warm ups before their match against Sydney on 21 June 2019 in a gesture of support.[28]. It is recommended that students have seen the film in its entirety before commencing specialist lessons. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. 0000001825 00000 n This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. [24] It had its World Premiere at the 2019 Sydney Film Festival. For ease of use we have organised this information in Primary and Secondary sections. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. 0000007932 00000 n [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. 0000005976 00000 n "The Final Quarter" is a 75 minute documentary of archival media footage related to Australian indigenous AFL (Australian Football League) player, Adam Goodes. trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream An in-depth look at casual racism and racial vilification in Australia. Tracy is passionate about the mental health and wellbeing of young people and her training and approach incorporates cognitive behaviour therapy (CBT), mindfulness skills, and interventions drawn from positive psychology research. Being independent means they are not owned by a major media company. The AFL Players Associations Indigenous Advisory Committee also issued a statement, and there was an outpouring of emotion from the Indigenous players who called for all to fight against racism. H\j0E Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. Goodes himself recedes as the film goes on and the media barrage continues. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. This film explores the detrimental treatment of AFL star Adam Goodes and the media and community responses. When the football crowds turned on him, the Brownlow medallist left his beloved game. And so it is also a film about the purpose and value of legacies. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. 0000005517 00000 n The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Explores Australias sporting culture with a focus on race relations and cultural expression. But there is one key figure who is conspicuous by his complete absence. Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. The continuing journey towards reconciliation security, who ejected her from the article title ;: film Review statement! 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